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Monday, 6 August 2012

A REMINDER OF SOPHIATOWN IN TOXTETH


Learning often comes unexpectedly. Recently I was wandering through the ‘Welsh Streets’ in Liverpool’s Toxteth district. Because of my interest in social documentary and heritage I have spent many hours with my camera walking around the silent streets of ‘tinned up’ houses in Liverpool 8. This is one of several areas in the city where a whole community has been cleared of residents, their properties having been compulsory purchased in preparation for demolition – all part of the council’s grand regeneration plan.

Madryn Street as a poetry and songbook!

One of the ‘Welsh Streets’ is Madryn Street where Ringo Starr was born. (There is still some debate about whether no.9 should be preserved as a national treasure!) I noticed that most of the small terraced houses along Ringo’s side of Madryn Street have had sheets of song lyrics / poetry pasted onto their sealed up doors and windows. Most of the lyrics are entirely appropriate (Ghost Town, Anthem for Doomed Houses, We Shall Not Be Moved etc.) resulting in the whole street becoming a cultural installation. I photographed several of them before the sun, wind and rain hides their messages.

 One of the poems was called ‘The Day They Came for Our House’. The prose included “Armed with bulldozers / they came to do a job / nothing more / than hired killers”. The poem was credited to Dan Mattera – that’s all I knew from the photocopied sheet of lyrics - so I educated myself later in the day. It  was written about the clearance and obliteration of Sophiatown in the 50s and early 60s in South Africa. Sophiatown was a vibrant, urban, multi-cultural community – one of the oldest black suburbs of Johannesburg. Under apartheid, it was cleared, demolished and rebuilt as a white suburb (renamed as Triomf). The township had been famed for its culture of writing, art and music – notably jazz and blues. Nelson Mandela and Desmond Tutu were both Sophiatown residents. 

Don Mattera ('Dan' is a misprint) was an activist in the struggle against apartheid but he subsequently became a poet, writer and journalist. ‘The Day They Came for Our House’ was published in Mattera’s book ‘Azanian Love Song’ in 1983. To my shame I didn’t know the history of Sophiatown and hadn’t read any of Mattera’s books or poetry until I researched these things when I returned home. I’m glad I did – the shameful story of racial clearances in South Africa is something that we should all know about. Sometimes learning comes from unexpected sources – in this case my walk down Ringo’s old street resulted in my learning about 50yr old events from 6000 miles away!






Wilfred Owen's 1917 poem - 'Anthem For Doomed Youth' reworked for condemned housing



Thursday, 24 May 2012

The Missing Years


If you take a look at any social documentary photography before the late 1980s you will see images of children playing in the streets with bikes, carts, skipping ropes etc - reflecting the way they spent their leisure time within their own environment. This is important documentary information. Sadly, in this age of exaggerated fear for our children's safety, we have now made it unacceptable for photographers to record them in their surroundings. In the coming years we will find that we have lost a huge amount of information about how our children and their friends played and entertained themselves in their own neighbourhoods. The Facebook age will have recorded plenty of camera-phone images of children in the safety of their family surroundings, but little of the documentary material that previous generations of photographers have recorded.

This photograph was taken last week when I was returning to my car in Jamaica Street, Liverpool after a day in the city with my camera. I love the old warehouses in the area and when I saw two boys racing towards me on their bikes I thought it might be a chance for a vintage shot. Not wanting to alarm the children I had to 'shoot from the hip' - with my heavy DSLR this usually results in dismal failure, but on this occasion I got fairly lucky. I converted the image to B/W in order to recapture a feel of 60s Liverpool. It might not be great photography but it's social documentary and I'm happy with it!

Sunday, 25 March 2012

Fishing the Float #2


East Float Dock, Birkenhead. This is a revisited location - see my entry for 7th Nov, 2010 (http://darkhorseliverpool.blogspot.co.uk/2010/11/fishing-float.html). The children keep themselves amused whilst the father is fishing. I noticed the girl swinging on the chain fence and thought it would make a good composition. I had to be quick before I was noticed.

Tuesday, 17 January 2012

Canning Nightscapes


This view across Liverpool's Canning Dock is looking towards the Albert Dock - a hugely popular tourist attraction. The Maritime Museum is on the right (Tate Liverpool is also housed in these wonderful old dock warehouses).  I was looking for a night shot of the nearby Museum of Liverpool from this location but felt that this would also make an effective 'nocturne'. I waited a few minutes for the wheel to stop (left of frame) and hoped that it would be static for the 20sec exposure. Long exposures at night often produce peaceful scenes - as is the case here. There is a sense of unreality - this could almost be a model.  (f18, ISO 400)


This is a view of the new Museum of Liverpool, also viewed from the Canning Dock. The waterfront museum was opened last year (2011).  It may not be everyone's idea of great architecture but it looks good at night! This was a 30 sec exposure at f14 (ISO 100)


Wednesday, 30 November 2011

STRIKE!

Wednesday 30th Nov, 2011 saw the biggest one day strike in the UK for a decade. Unions had called members out to support their demands that the government rethink plans to reform public sector pensions. It is claimed that 2 million people went on strike throughout the UK. Two thirds of schools in England were closed (almost all schools were closed in Scotland), 7000 operations were cancelled in hospitals, emergency services couldn't deal with all 999 calls, no buses or trains were running in Northern Ireland ...... the list goes on. David Cameron called the strike "a damp squib" in Parliament. I'm sure he doesn't really think that but if he does then he is SO out of touch. I photographed the strike rally in Liverpool where 15,000 people marched through the city - I was amazed by the turnout at St George's Hall, and the strength of anti-govt feeling. (See how the Prime Minister is portrayed in the Socialist Worker placard below - top photo, r/h side)





Sunday, 20 November 2011

Finishing Touches


The new black glass constructions at Liverpool's Mann Island redevelopment were almost complete in March 2011. Love them or loathe them (if you have read previous entries to this blog you'll know my views) they can provide interesting photo opportunities with their angular construction, dramatic outlines and reflective properties. Here, I was poking around in the entrance when I saw these men working on the glass roof which connects two of the buildings. I had to be quick - sometimes the best photos come that way!


Sunday, 6 November 2011

Bold Street Dancer

This beauty was demonstrating Chinese dancing at the Bold Street Festival. There was a large crowd gathered around and she moved and twirled so quickly that photography was difficult. This was one frame that turned out OK I thought.


Monday, 26 September 2011

Bold Street Festival - Pavement Art

Yesterday was the Bold Street Festival (Liverpool), part of which was the James Carling International Pavement Art Competition. I'm going to put some photos here in the coming days - here's a bright starter from Italy's Alberto Forlenza. I don't need to identify the subjects.
UPDATE : I've decided that the pavement art photos merit a separate blog which I've called Bold Street Art - this is where all future posts related to the Bold Street Festival will be - http://boldstreetart.blogspot.com


Saturday, 17 September 2011

The Leaving of Liverpool

The Cunard Building being used as a giant screen

QM2 - a firework farewell
The Leaving of Liverpool

The last day highlight of Liverpool's Festival of the Waterfront (8-15 Sept) was the evening departure of the Queen Mary 2 - Cunard's magnificent star of their fleet. There were thousands lining the Mersey at the liner terminal - and the QM2, lit up against the night sky, looked spectacular. A firework display was Liverpool's farewell gift to the great vessel followed by the strains of The Leaving of Liverpool, Sailing, You'll Never Walk Alone and (ludicrously) Z-Cars. At the opening bars of this last tune the QM2 made her excuses with several blasts on the ship's horn (I think they call it a whistle - whatever it is called it makes a lovely, mournful sound) and began a gentle glide from her berth.

I watched as the great lady slowly sailed away and grabbed my last photos of the day. For the geeks my night shots were all hand held at stupidly high ISO and f5 - I had a tripod and all the necessary gear for remotely fired long exposures but there was no chance of setting it up in that crowd and the vantage point really needed to be much more elevated.

An unexpected bonus of the evening was the utilisation of the Cunard Building (the middle one of the 'Three Graces' - you know, the less 'showy' one) as a screen for Cunard images from past and present. I love it when images are projected onto buildings and grabbed lots of pics on the way down to the river. What a great evening - must find out when the next Queen will be dropping in.

Wednesday, 14 September 2011

The Four Streets

50/52 Cairns St. It seems unbelievable, but these houses are both 'tinned up'.
I love the care that locals have taken with hanging baskets and painted steel doors.


Street Market - Cairns St (bringing people back into the greenest of the Four Streets)

Beaconsfield Street - spot the cats peeping out of no.70s bricked up window

Three images from the condemned 'Four Streets' in Granby, Toxteth (Liverpool 8). The first two photos illustrate the horticultural beautifying of Cairns Street and the third shows the different approach in the neighbouring Beaconsfield Street, where the bricked up windows and steel security doors have been painted in an attempt to disguise the bleakness that would otherwise exist (as in the nearby Welsh Streets). Have a look at 'Nerve Magazine' for an article about Cairns Street (which contains more of my photos from the last Saturday market of this year on Sept 3rd). I hope the market continues next year -  if the street is still there!
http://www.catalystmedia.org.uk/issues/misc/articles/empty_homes_show.php

"In defiance of interminable cycles of top down ‘renewal‘, people have painted curtains on bricked up bay windows, and planted emptied streets with trees, picnic tables and burgeoning vegetable boxes. On the first Saturday of every month they hold the thriving Cairns Street market, complete with reggae sounds, curry stalls and vintage bric-a-brac, a little piece of 1960s Portobello Road in inner Liverpool" 
the above quote was taken from a footnote by URBED's Jonathan Brown to an 'Architects Journal' article (29-Sept-11) - see following link for full article - http://www.architectsjournal.co.uk/news/daily-news/civic-society-hits-out-at-gleeson-homes-designed-toxteth-scheme/8617912.article

Tuesday, 13 September 2011

Super 8


This is the new Liverpool 8 Superstore in Lodge Lane. Breathing new life into this part of the city (occupying the site of a failed KwikSave) this is the place to come for a huge variety of fruit / veg / ethnic groceries & household goods.

Monday, 12 September 2011

The Florence Institute - a scaffoldscape


This is a privileged view from inside the Florrie (8th Sept,2011). It's a heritage open day and I managed to book a tour of this historic building. It's a building site - full of scaffolding. We had to wear steel toecapped boots, hard hats and vis vests as well as signing something that said we understood the dangers and would behave ourselves! This £4m project will provide a great visitor attraction and community resource to Toxteth / Dingle. The current plan is to open in March 2012 - I hope they make that date and I'll be an early visitor.